Making Animated Ads Used to Be Impossible for Small Teams

A year ago, creating an animated commercial meant:

  • A studio

  • Illustrators

  • Animators

  • Voice actors

  • Weeks of production

  • A massive budget

Today?

You can create high-quality animated ads with AI, and for the first time, they’re starting to actually look good.

Not “AI slop.”
Not uncanny demos.
Real creative work you can charge for.

So I tested something.

The Experiment: Can AI Turn a Cheap Product Into a Premium Ad?

Last week I went to the dollar store, grabbed a random product, and set a challenge: “Let’s turn this into a high-budget animated ad I could realistically charge premium money for.”

This was the product we chose.

The product was a nostalgic bubble bath soap I remembered from childhood.

Perfect choice, it already had a small mascot on the label.

Which meant something important:

We already had our main character.

Step 1: Turning a Product Label Into a Character

I cropped the mascot from the packaging and uploaded it into Google’s NanoBanana.

With a simple prompt, NanoBanana extracted the mascot and helped me create a clean character sheet.

From there, that character became reusable:

  • Different poses

  • Different environments

  • Different styles

This works for almost any product - mascots, logos, even abstract brand symbols.

Step 3: Generating Scenes Frame by Frame

Using NanoBanana, I placed our mascot into environments that matched the story:

  • A warm, playful lab

  • A colorful bubble world

  • Transitional fantasy scenes

Each prompt built on the last.

This is the key shift:
You don’t generate everything at once.

You direct the story forward, frame by frame.

Step 4: Turning Images Into Video

Once the scenes were ready, it was time to animate them.

There are a lot of AI video tools out there, but to simplify:

  • Veo → best quality right now

  • Kling → strong and more affordable

I tested both.

The important part isn’t the tool, it’s learning to think like an AI director:

  • How should the scene move?

  • Where should the camera go?

  • How does one shot transition to the next?

Kling’s start-to-end frame control made this easier, especially for smooth transitions.

Step 5: Voiceover, CTA, and Final Assembly

Once the video scenes were done:

  • I organized everything into folders

  • Generated voiceover using ElevenLabs

  • Matched the tone to the story

  • Edited lightly in Premiere or CapCut

The final scene always featured the product, because good ads end with a clear CTA.

The Big Shift: What This Really Means

What used to require:

  • A full creative team

  • Weeks of work

  • Tens of thousands of dollars

Now requires:

  • An idea

  • Creative direction

  • A system

That’s the real advantage.

If you’re a creator, marketer, or business owner, this opens a new lane:
You can create premium-looking animated ads, and charge accordingly.

What I’m Building Next

I’m documenting these workflows — not theory, real systems; inside my free guide.

It covers:

  • Tools

  • Creative thinking

  • AI workflows like this one

You can grab it by subscribing to the newsletter below.

This is where creative work is heading.

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